My career began in 1974 as one half of the performance art duo Reindeer Werk. In 1980 I changed to anti-conceptualist painting, part of a movement that eventually came to be known as Low Brow. Finding myself uncomfortably cornered into a genre that appeared to be becoming ever more Disneyfied, I have since branched into an area that appears to be something of a hybrid, standing between pro and contra conceptual camps. I prefer being a hinge to a flat plane.